Yesterday while listening to a Big Think podcast, they played a segment of an interview with Jon Kabat-Zinn where he talks about the results of MRI scans comparing people who meditate and who don’t, when asked to just sit and do nothing. Those who don’t meditate activate a ‘default’ mode part of the brain, thinking in linear time and about themselves, their reality. Those who do meditate activate an adjacent part the brain, where this is a sense of expansion, possibilities, energy, growth – beyond the self. In other words, the potential of what we can become. He says that we go through life with the brakes on, because of that default mode.
My experiences so far with art thinking (color thinking) makes me think that I’m tapping into that space. Art thinking and color thinking releases me from the usual ego-centered, me-centered, self talk and seems to be a gateway into a space that is rich with potential for new experiences and ways of thinking.
In recent months I’ve tried to flip from telling myself I have to follow a certain rigid path, because that’s what I’m supposed to do, to giving myself permission to discover a path, and listening for subtle signals I hadn’t paid attention to before in order to allow for a path to unfold.
Reading the book Mastery by Robert Greene set me up for this, to a certain extent. He talks through different paths people who become masters might take – whether through an apprenticeship, or doing deep into one topic, or moving from one topic to the next, making connections between them and basically discovering a new, untapped niche. At the core was this idea of letting this path organically evolve by letting yourself be drawn to whatever resonates. Get ride of assumptions, open yourself up to possibilities, allow yourself to be curious, and see where it takes you.
I went to the bookstore around that time and let books talk to me…and certain art books did, ones I hadn’t considered before. I look back now at the progression of my interest in art, and the ‘signals’ I feel, and what I’ve come to value. It’s quite different than what I was trying to force myself towards.
Originally I thought about art as a skill to perform, for an output that would be meaningful. I collected art supplies while in college with the intent to one day ‘do lots of art’, because I was drawn to it and wanted to. But I never did. I tried often, but it didn’t stick…because I was approaching it the wrong way. I bought many ‘how to’ books and started on the first lessons, but it wasn’t all that enjoyable, because I could never do it ‘right’. The books were very much focused on the outcome – the different techniques, and step by step process for producing certain outcomes.
That day at the book store the books I bought approached art very differently. Two books, Art Before Breakfast and The Zen Drawing Pack, focused not on the outcome, but the process, especially the state of mind – relaxed, open, free. They stressed that art wasn’t about producing artwork, but nurturing a creative state of mind.
The other book was a Zen Doodling. Adult coloring books are the rage right now, but they don’t appeal to me because you only color; it’s the drawing of new lines that I want to explore. But most art books are very heavy in that direction – it’s not about simple lines, it’s about entire projects and that tends to set me up for failure. Zen Doodling shows you tiny little steps you can take where you just start to draw, no pressure, no failure. Tiny little steps where you pick up a pen, and let it go on its journey, and start to create. With that aspect of ‘doing’, you begin to chip at that wall that holds you back from creativity, you begin, ever so slightly, to release that brake.
I spent several weeks with Zen Doodling, bought additional books, mostly by Carolyn Scrace, because she goes deeper into the creative process, past just basic doodling. The taps into nature, other art materials, other patterns and methods – gradually expanding the ‘casual art’ space, one small step at a time.
I then looked to other books that nurtured creativity through other gateways – not necessarily through learning one technique or trying to create a certain masterpiece. Another book I’ve enjoyed is Draw Paint Print like the great Artists, as it encourages art for the fun, free, creative experience it can be – not pressure to create a specific thing. It further helped me free my tight hold on expectations of what being artistic and creative should be.
Another stepping stone to elevate my doodling was 20 Ways to Draw a Tree, by Eloise Renouf. I’ve always been drawn to nature, and this provides a plethora of suggestions to work with, copy and modify creatively.
Along the way I came across Steal Like an Artist, where Auston Kleon encourages you to copy artists, copy what you love, it helps you discover you. And as you copy, you get glimpses into the minds of your heroes. And I strongly believe great artists are driving without the parking brake on! And that’s how I want to live as well.
And so I’m copying a lot – it makes ‘doing art’ far easier to do, because you have the idea and inspiration right there, and it allows you to easily practice and flex new muscles.
I’m ‘doing art’ with a ‘casual art’ attitude – it’s for the pleasure of doing, the nurturing of new a new mindspace, not for what the physical outcome is. It becomes peaceful and invigorating at the same time.
Finally, I’m doing casual art and art thinking for self-discovery. This is a big theme in Art as Therapy, by John Armstrong, one that I’m still exploring. But related, the new trend of art journaling is fascinating, on two levels.
One, I’m embracing art journaling for the new perspectives – the crossing of left and right brain, the different perspectives that arise when you include doodles and sketches with your words – entire new frameworks evolve, and deeper understanding.
Two, I believe it is a gate way to that living without the parking brake on, and I’m fascinated by art journal pages others have created. Pinterest has become a great resource, not only for doodle ideas and casual art ideas, but glimpses into other artists’ minds through their art journal pages. A few books have come out highlighting examples – such as A World of Artist Journal Pages. There is something so deep and intimate in these pages – artists, those very people living without the brake on – are sharing very personal visual stories that show vulnerability and authenticity I strive to nurture in my own life.
In continuing on this journey, following signals, taking small steps, exploring new paths, copying others, and applying art thinking, I stay close to that path of self-discovery that I’ve come to enjoy so much, and now feels much easier than it ever has.